I am captivated by colour, sound, light, and spiritual symbolism, and fascinated by how they connect. My creative process is both experimental and experiential, weaving these sensory elements through synesthesia, meditation, intuitive dance, play, and abstract painting.
For me, sound and colour become emotions, shapes, and sensations. This inter-sensory, ritualistic approach opens pathways to creative emergence, embodiment, and empowerment. I channel these experiences into visual form through abstract painting, movement, symbolic rituals, and ceremony, exploring the interplay of light across physical, spiritual, and ethereal realms.
My practice combines embodied performance, meditation, chromotherapy, energy work, and mark-making. I work with paint, natural fabrics, pastels, scent, sound, saxophone, and movement to create vibrant, multi-sensory compositions that invite joy, release, and intuitive engagement.
Rooted in synesthesia and embodied expressionism, my work explores human connection, natural rhythms, and subtle energies that shape our lived experience. It reflects themes of growth, resilience, compassion, grief, healing, and joy—anchored in embodiment and guided by intuition.
These works invite stillness, curiosity, and inner exploration. I encourage viewers to engage with them through their own lens—stepping into a multicoloured sound spiral of self-discovery.
Alongside my practice, I am a Reiki practitioner, facilitator, and educator, supporting creative and emotional learning through workshops, ceremonies, and collaborations with artists, charities, and organisations. Currently, I work with students at Arts University Plymouth and in the Learning department at The Box, Plymouth.
Born and raised between the UK and Hong Kong, my background in surface pattern design, fashion, and textiles enriches my contemporary art practice. Having lived and worked internationally, my global perspective continues to shape both my art and life.
I am captivated by colour, sound, light, and spiritual symbolism, and fascinated by how they connect. My creative process is both experimental and experiential, weaving these sensory elements through synesthesia, meditation, intuitive dance, play, and abstract painting.
For me, sound and colour become emotions, shapes, and sensations. This inter-sensory, ritualistic approach opens pathways to creative emergence, embodiment, and empowerment. I channel these experiences into visual form through abstract painting, movement, symbolic rituals, and ceremony, exploring the interplay of light across physical, spiritual, and ethereal realms.
My practice combines embodied performance, meditation, chromotherapy, energy work, and mark-making. I work with paint, natural fabrics, pastels, scent, sound, saxophone, and movement to create vibrant, multi-sensory compositions that invite joy, release, and intuitive engagement.
Rooted in synesthesia and embodied expressionism, my work explores human connection, natural rhythms, and subtle energies that shape our lived experience. It reflects themes of growth, resilience, compassion, grief, healing, and joy—anchored in embodiment and guided by intuition.
These works invite stillness, curiosity, and inner exploration. I encourage viewers to engage with them through their own lens—stepping into a multicoloured sound spiral of self-discovery.
Alongside my practice, I am a Reiki practitioner, facilitator, and educator, supporting creative and emotional learning through workshops, ceremonies, and collaborations with artists, charities, and organisations. Currently, I work with students at Arts University Plymouth and in the Learning department at The Box, Plymouth.
Born and raised between the UK and Hong Kong, my background in surface pattern design, fashion, and textiles enriches my contemporary art practice. Having lived and worked internationally, my global perspective continues to shape both my art and life.